An Original Thought
If that's the way it was, that's the way it was meant to be.
There's an interesting article in The New York Times, which has been referred to on a few blogs, resparking the old debate about the future of the hardback. Apparently, in the US, an increasing number of 'literary' novels are going straight into softback. This of course has been the norm at a few European publishing houses for a while, and one can see the sense in it (cheaper, more sales etc).
Many new writers, like me, would be happy to go straight into softback, given that people are more likely to spend the cash on it - thereby increasing the chances of staying on the radar. Having to struggle to get good hardback sales has been a debut novelist's nightmare; low figures can often mean that the work never comes out in softback.
I've read comments from authors who say they couldn't bear the thought of not first seeing their work in hardback; they say it truly represents everything they've worked towards - they need to grasp it, knock it, smell it, put the ribbon through the middle. That's all very well when they sell easily and the publisher, agent and writer rings up the sales from the hardbook AND the softback. That is not how many newcomers see it. The hardback represents a battle.
It's also true that readers get frustrated; they want to go out and buy the book they've heard about in the press and by word of mouth only to find the affordable version is not yet available. By the time the cheaper copy comes out they've forgotten about it, already enticed by other books that have appeared straight away in softback. I have many book loving friends who only ever buy softbacks.
Somebody sent me an email with a very blunt question: You're a writer, so where's your real writing? They meant it in the nicest possible way, I'm sure.
My blog's not enough to make me a writer?
I pondered this, and then thought, 'OK. Why not put something out there.'
Here's a bit from the second novel I'm trying to work on (three draft chapters and counting), without even knowing if the first one will ever get published.
Your comments will be most welcome. Sorry the blog format gets rid of paragraph indentations.
Chapter 1
Just a couple of strides away from the main entrance to The
Irish Times - the sight of which made her gut tighten - Myra
Dillon turned to see that her man had stopped and splayed
himself up against a large metal lamppost. His face shone as
crimson as the beetroot that she’d earlier diced up for lunch
and then wept over. She would’ve gone to him to make him lean
forward, so he could find his breath again and stop his
wheezing, but she was too distracted by the fierce hope that
his discomfort might make him change his mind about his two
o’clock appointment.
‘Could you not be slowing yourself down?’ he growled at
her, ‘rushing away in front of me like a thievin’ gypsy.’ He
coughed like it were a murderous yell, spitting a mix of beer
and bile onto the pavement. ‘You’ll be the bleedin’ death of
me, Myra.’ He cut the air with his turnip fingers.
She kept her face still, just so, gently reaching up to
check that her scarf – bought for €1.99 the day before –
hadn’t twisted itself around. She fastened the top button on
her cardigan of baby-blue, and then caught sight of herself in
a pub window.
She decided she wouldn’t answer him. She would
seek refuge there in her reflection, imagining that she had
her knotted hair done, and the cardigan could at last be given
to the Sisters of Mercy. She leant down to scratch the back of
her leg through her stocking, the whole time watching how her
movement looked in the window. Sadly, she saw there was no
going back on the dropping of the shoulders and her mouth had
a sour twist to it. A nice cold glass of scotch came out
through the window and poured itself down into her panting
chest.
‘For the sake of heaven,’ he blurted. ‘Myra!’
She looked back towards him and smiled. ‘We’ll be late,
Selwyn, and then you’ll go blaming me. Pick yourself up now.’
She nodded slightly between the smiles, a simple but effective
way to reassure him, to ensure he didn’t kick a real wobbly.
‘We’re almost there now.’
He managed the rest of the distance awkwardly, the weight
of his stomach pulling him forward, almost making him jog, his
feet hitting the pavement at hilarious angles.
Dublin was doing its best to hold on to its miserly ration
of September warmth, but a bitterness was reaching across the
tin-foil sky, trying to rally a wind or a bucketing rain.
Everyone knew it, even the birds. Dash about and get
everything done while things are still clear and dry. The
cheerful colour of the passing buses – vanilla yellow and two
shades of lolly blue - just weren’t working.
Myra said, ‘There Selwyn. We’re there now.’
‘You’ll be the bloody death of me,’ he mumbled. He put a
shaking hand on her shoulder, which unsettled a sleeping
memory: the gesture used to be something affectionate, but now
it was just to make sure he didn’t tip himself over in public.
He looked at the people bustling past him, racing for their
bus at the other end of D’Olier Street. His dark, frightened
eyes grew wider, as though he saw a street full of noisy
convoys of invading troops.
She could tell he was trying to make out if anyone was
staring at him, chuckling at his laughable state. ‘No one’s
interested in you, Selwyn. Let’s get you onto a seat inside.’
A springy, chatty man who introduced himself as Tiny Sung
Sue - or so it sounded - came out to meet Myra and Selwyn at
the reception desk. He kept sticking out his chin and raising
it up like a bucking horse, apparently trying to free his
irritated neck from the noose-like grip of his collar and tie.
Between mouthfuls of his collapsing tuna and mayonnaise
Sandwich (Myra could smell the ingredients) he laughed
awkwardly, shared hard-to-understand anecdotes, looked at his
watch. 'I was in Hong Kong before I came here,' he tweeted,
looking disappointed that Selwyn had taken more interest in
the fancy water cooler by the door. 'I really love this city.
Something's really going off here.'
Myra worried that Selwyn might not answer. 'They say
Dublin’s multi-culture now,' she said gingerly. 'Good for the
young ones, I suppose.' She didn't quite know why she joined
up those two thoughts, but it certainly did the trick in
making Selwyn snap back into focus.
'I just want to know why I wasn’t given a bleedin
interview, let alone a letter or call' he snapped. 'That's
all. A man deserves a bloody explanation.'
'I see,' said Sung Sue. 'Best we all go through to where we
can talk.'
He took them down a long corridor, past chaotic
rooms where trendy young people hugged phones under their
chins or peered into computer screens, looking bewildered or
bored. Myra wondered if she might see someone famous, perhaps
even the nice young fellow who wrote the gardening column.
Sung Sue said, 'I think there's been a misunderstanding, but
we're happy to put things straight.' He biffed the crust of
his sandwich into a bin and picked up a large tray of bulky
mail left on a crowded desk.
Myra was resentful that Selwyn had kept his hand on her
shoulder, pushing her forward as though she were the leader of
the delegation. She knew very well what the nice Tiny Sung Sue
was going to say; she'd been able to figure it out right from
the start. She felt an overwhelming desire to take a risk and
turn on Selwyn there and then, tell him that he was a fool and
once again he was going to cause a scene at which people could
snigger. This latest spectacle, to make things worse, was
going to be performed in the fine corridors of a fine
newspaper, and the young people there on the phone might even
be forced to write something about it. The whole of Dublin
would belly-laugh collectively at the latest shinnanigans
of Selwyn Dillon. She dropped her shoulder so his hand fell
away from her, but that only made him dig her in the middle of
the back with his other hand.
Once they were sitting on the posh leather sofa in a room
that had Assistant Editor on the door, Sung Sue said, 'What
did you think we meant by the term “crime correspondent” when
you saw it in the paper, Mr Dillon?' He played with his watch.
Myra offered Sung Sue a knowing smirk, very discreetly, in
the hope that he wouldn't think she was a halfwit as well. He
just looked blankly at the pair of them. Myra took in his
perfect dimples, his pearl-coated teeth, his appealing long
fringe and green eyes. She normally didn’t find Asian men
appealing, yet there were the odd exceptions. She pulled on a
small curl of hair that loitered down in front of her
face. She crossed her legs and then bounced her suspended foot
up and down, marking the seconds during which Selwyn was
saying a big fat nothing. She folded her arms and then tried
to communicate to Sung Sue with her eyebrows: she was on his
side, not Selwyn’s. If she hadn't agreed to come along and
sit there with her husband, she wanted to tell Sung Sue, then
there would’ve been a scene - and it wouldn't have been
pleasant.
'Are you having me on?' blurted Selwyn, standing up. His
arms rose at the sides, like he might take off for an aerial
attack. 'I'm not a bloody idiot.' He was doing his best to
stop making idiot sound like eejit, having read somewhere that
foreign language students were struggling to understand the
locals. He still hoped he may be able to cash in on the idea
of giving conversation lessons to Asian students, just as his
friend Tom was doing for a kidney-warming nine euros an hour.
Myra squeezed her arms tighter into her chest and looked
down at the carpet. 'Don't get angry now, Selwyn.'
'He's making out I'm a bloody eejit - idiot!'
'Don’t be daft. He is not.'
'He bloody is. Him and his bloody yobs. It's just a rag,
this is. Nothing bloody special about this outfit.'
'I tried to tell you.' Myra kept looking down at the
carpet.
'What did you say?'
'I tried to tell you what it was. That's all.'
Selwyn was silent for a moment and then said, 'Crime
correspondent? Course I know what that bloody well means.'
Sung Sue carefully slipped in behind his desk, creating
more space between himself and Selwyn. 'You needed to have a
journalism background. We wanted a journalist ... to write
articles.'
'I knew that,' said Selwyn, suddenly looking vacant.
Myra wanted to yell out that he was lying. He hadn’t known
that at all.
'You don't have a journalism background,' said Sung Sue,
quietly, finally looking at Myra for backup.
She could see that Sung Sue was looking upon her with pity.
He was looking at her gloomy-coloured scarf; the thick, plain
dress that looked like carpet underlay; her shoes made famous
by Catholic nuns; the cardigan and its tiny balls of overuse,
which were now too numerous to be successfully culled. The
last time Selwyn had given her money for an item of clothing
he'd insisted on choosing it himself, from the op shop at the
end of their street. She'd pleaded with him to let her go to
Arnotts, but he'd told her he wouldn't let his money be used
to ‘prop up the big conglomerates’ (that was one of the many
things he’d heard on talkback, and he repeated it to whoever
would listen). She hated the way she looked. She dreamed
of the day she could pay for some colour through her hair, or
wear an outfit that hadn't been cleaned out of a dead widow's
closet.
She decided to take a risk, to win back some of her dignity
in front of this nice young man from Hong Kong, who might just
be thinking they were both losers. 'Selwyn thought you wanted
someone who grasses on crims,’ she said with conviction, but
then wondered whether it might’ve been too informal to use the
words grasses and crims. ‘He thought you were advertising for
someone who gets paid for tips and things.'
'I thought no such thing,' Selwyn protested, his eyes
bulging to bursting point. 'You can shut it, right?'
She whispered. 'A correspondent’s not the same as a rat,
Selwyn. I tried to tell you. Papers don't go advertising that
as a job.'
'No, we don't,' said Sung Sue.
She went all warm on hearing that, confirmation that he
hadn’t jumbled her up with her husband. Selwyn was standing
out on the stage on his own, his costume coming unstuck,
everything revealed. The warm feeling lasted only a matter of
seconds though; Selwyn's hand came down on the back of her
chair, causing her to jolt forward. It wasn't a hard slap. It
never was. It was the usual warning that boundaries had been
stepped over.
Sung Sue didn't say anything. He stayed behind his desk and
kept his hands together, clearly at a loss to know what to
do. Myra didn't want a scene. Already she'd seen a few faces
popping up in the small glass window in the door, eagerly
curious about the raised voices. She decided she would do her
best to get Selwyn to leave. The point about the advert had
been made - albeit repeated. Selwyn wouldn't want to be
humiliated with further questions and explanations. The
charade had gone on long enough.
Like with all of these situations - when Selwyn embarrassed
her and made her despise him because of his behaviour - it
wasn’t long before she was overcome with an enormous feeling
of compassion for him. As they hobbled towards the reception
in silence, she wanted to tell him she loved him and that he
shouldn’t let himself get upset. She genuinely felt sorry for
him as she watched him stumble into the walls. He muttered to
himself as he tried to right himself.
Out in the street, as they both looked up to see how the
sky had now completely closed over with purple clouds, Selwyn
said he wanted to get a taxi home instead of getting a bus.
She knew he was seriously dejected; he rarely suggested
getting a cab. ‘I just want to be at home,’ he mumbled.
Myra went into automatic mode, wanting to make things
easier for him and jolly him out of the black mood he was
falling into. Out of the corner of her eye though, just as she
was saying something light and irrelevent, she spotted a sign
on a window over the road. Letting Selwyn move off down the
street a bit, she read the words to herself several times, to
make sure she’d understood the meaning of it. The more she
read the words, the stronger her feeling that the sign was
speaking to her. She took in the whole window and the
building, making a mental note of the street number. She
turned to see that Selwyn had already flagged down a taxi. As
she hurried to catch him up, she couldn’t help but let the
words repeat themselves in her head. They seemed to dance at
the front of her mind, everything else in there forced to shut
up, sit down and let the exciting new performance continue
without interruption.
* * * * *
If the world is my oyster, I'd really like to know what arrangements have been made for people like me who can't stand seafood!
I've decided that every now and then I'm going to publish some of my own photos and paintings on my blog. All that text needs to be broken up, don't you think? And you never know, somebody might spot something nice for a book cover!
I'm going to start with my favourite shots from China, as it's almost a year since I was there. I really wanted to write something about my experiences there, but I just never got around to it.
Also, with such an enormous place and so much to dazzle the senses, where would a poor writer start?
I hope you enjoy the first images in what will be a series - Photos: The Master Story Tellers.
I took a deep breath before I opened the email, but there was quick relief.
It was just a note from the people at Macmillan New Writing - five weeks after I sent them my manuscript - to ask me to send another copy; apparently the original Word document that I sent couldn't be opened. I suppose they're busy over there, with all the words that must be raining down into their system. How to make sure that your Word files are not corrupted?
Anyway, whew! D-day is put off. It also means I won't have to worry about those infuriating errors that crept into the previous version of the manuscript (see previous posting). It's almost like I get another lucky chance. Of course, I will let you know what happens.
Meanwhile, I'm hunting down the name of a garden bird and a cheap, common beer for my latest novel, which is set in Dublin. I just love the challenge of tracking down all the little bits and pieces that help make the pages come to life!
The hardest part will be the dialogue, which is why I'll take every chance to go there this year. My relatives will be called on to keep me on track and let me know what's genuine and what is not. The way my father spoke - he was born in Dublin - is also coming back to me.
If I was wearing five hats I would take them all off to Philip Seymour Hoffman for his latest silver screen performance as Truman Capote. What a triumph! How did he manage to get things so spot on?
I happened upon a TV documentary on the life of Capote right after seeing Hoffman's interpretation and I have to tell you that my chin was on the floor!
The film has reminded me to order In Cold Blood - another easy click over the Internet. I've read only extracts of the book before and now is the time to put the film in context.
Capote was such a figure, such a character, and it was sad to watch the unfolding of his life and its tragic end.
Is it just me and my entourage or is there a growing tendency towards shorter chapters and more breaks in the text of novels? I say this because I have heard - through a very roughly planted grapevine - that editors and publishers are becoming increasingly keen on this. Is that what they're telling you?
Some of the recent books I have been reading would suggest there might be something in this. I have had one agent tell me to put in more space and lose long paragraphs. "Dividing up the text into newspaper-style paragraphs is now the rage," she said, although not very convincingly. I gulped; when I was training to be a journalist there was controversy over the push to get us to write with a reading-age of eleven in mind.
Personally, I must say that shorter chapters and more space makes things easier to read - and, for me, it makes the writing easier. I wouldn't go for newspaper style though. Is there anyone who really likes thick, bunched-up chapters that run into dozens of pages? This must be another consequence of our "fast-food" approach to entertainment and pleasure. It also makes it easier for the film director, no? Easy slices of the story, already divided up into key scenes.
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Plus my most recent photos ...
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